The Lilac Time - & Love For All (1990)

The singles "American Eyes", "The Girl Who Waves At Trains" and "The Days Of The Week" (Stephen always thought of this as a b-side) and the album all failed to chart. They didn't even bother to make a promo video for "The Days of the Week" things were that low. But the option had been picked up and the band had already set up residency at Rockfield recording faux power pop with Andy Partridge producing.

As Stephen said at the time "I may have to turn thirty but old age wouldn't scare me. A strange new lilac sound emerged unlike the first 2 albums and nothing like how we sounded live."

The money ran out and so did Andy Partridge so the last six tracks were "knocked out" with John Leckie. Stephen fondly remembers those tracks as coming "closest to sounding like us".

The band went off to America to meet the promo team from Mercury, sans Nick. They were now just bass, guitar and drums. "The three piece line up of guitar, bass and drums made us all work and we'd worked hard around the U.K. doing three gigs a day - Bedford Riviera Lights (lunchtime). Cambridge Browns (afternoon). Cambridge The Anchor (evening). Outside a seminary here, being ignored by students as they ate their lunch there, of course this didn't mean we'd got "tight" or anything quite so vulgar or become a road hardened outfit. However I had started to behave like someone at the vanguard of the acid renaissance, I was definitely on the bus."

"San Francisco of course resonated in my snoozing beat soul. We played "Only Passing Through" which I'd written on my first trip to SF. It was the properest gig we'd done for some time, it seemed to go quite well."

That night Michael jumped out of bed in the middle of the night sure he was in the jungle and had to coaxed reassuringly back to bed by Micky. Cara Tivey wondered if the Trinity was father, mother, wife and child and that this song was about Stephen's fear of committing to a family. But to Stephen this was a name song, the name of a road in Aston.

The threesome had played through most of the west coast, including Vegas. Whilst breakfasting in a small restaurant Stephen chatted to a waitress and got the story of a brutal relationship. He wrote "The Waitress' Story" about her but substituted his own story.

Alan McGee became the bands new manager when the last one (Tarquin Gotch) disregarded the contract he had insisted upon and went to Hollywood to produce movies. The move to Creation went badly and just at the time "And Love For All" was released. Phonogram insisted on a full colour in focus picture of the band on the cover instead of the beautifully designed faux Peter Blake heart that Stephen and Nick wanted.

Nick had really had enough now and refused to go to Northern Ireland on the Radio 1 Roadshow, which left Stephen a week to teach Sagat the guitar. Returning to England they played a few gigs with both Nick and Sagat.

As Stephen laments "The album came and went & we never did return to America."

Essential listen: In keeping with some previous eras I will point you in the direction of a classic b-side or two. In fact they are both on the same single. The perfect "Cover" alongside "Julie Written On The Fence" make "It'll End In Tears" an essential CD single. If "Cover" doesn't make you tingle, I recommend a Doctor or better still a pathologist.

Essential buy: If you can find the vinyl LP of "And Love For All" make sure it has the free Retro 1 compilation with it. It has the highlights of "Paradise Circus". Alternatively get the new (2006) re-issue with the Bob Harris Sessions. Terrific.

Chris


~ Click on the cover images for more details ~


Artist/Composer Title Release Year Format Cat. Number Label Country Length Tracks
The Lilac Time & Love For All 1990 LP 846 190-1 Fontana/Phonogram, UK United Kingdom 42:53 14
The Lilac Time & Love For All 1990 LP 846 190-1 & RETRO 1 Fontana/Phonogram, UK United Kingdom 70:29 22
The Lilac Time & Love For All 1990 CD 846 190-2 Fontana/Phonogram, UK United Kingdom 42:53 14
The Lilac Time & Love For All 1990 CD PHCR-1019 Nippon Phonogram Japan 42:53 14
The Lilac Time & Love For All 1990 CD 846 190-2 Fontana/Phonogram, UK USA 42:53 14
The Lilac Time & Love For All 1990 CD 846 190-2 Fontana/Phonogram, UK USA 42:53 14
The Lilac Time & Love For All 1990 Cassette 846 190-4 Fontana/Phonogram, UK United Kingdom 42:53 14
The Lilac Time & Love for All 2006 CD 983862 1 Mercury / Universal United Kingdom 77:04 22
The Lilac Time All For Love & Love For All 1990 7 inch LILAC 8 (Int. 876 376-7) Fontana/Phonogram, UK United Kingdom 06:40 2
The Lilac Time All For Love & Love For All 1990 12 inch LILAC 812 (Int. 876 377-1) Fontana/Phonogram, UK United Kingdom 11:54 4
The Lilac Time All For Love & Love For All 1990 Cassette LILMC 8 Fontana/Phonogram, UK United Kingdom 06:40 2
The Lilac Time All For Love & Love For All 1990 CD single LILCD 8 (Int. 876 377-2) Fontana/Phonogram, UK United Kingdom 11:54 4
The Lilac Time It'll End In Tears 1990 7 inch LILAC 10 (Int.875 846-7) Fontana/Phonogram, UK United Kingdom 08:56 2
The Lilac Time It'll End In Tears 1990 12 inch LILAC 1012 (Int. 875 847-1) Fontana/Phonogram, UK United Kingdom 14:49 3
The Lilac Time It'll End In Tears 1990 Cassette LILMC 10 Fontana/Phonogram, UK United Kingdom 08:56 2
The Lilac Time It'll End In Tears 1990 CD single LILCD 10 (Int. 875 847-2) Fontana/Phonogram, UK United Kingdom 14:49 3
The Lilac Time The Laundry 1990 7 inch LILAC 9 (Int. 875 510-7) Fontana/Phonogram, UK United Kingdom 06:21 2
The Lilac Time The Laundry 1990 12 inch LILAC 912 (Int. 875 511-1) Fontana/Phonogram, UK United Kingdom 09:04 3
The Lilac Time The Laundry 1990 Cassette LILMC 9 Fontana/Phonogram, UK United Kingdom 06:21 2
The Lilac Time The Laundry 1990 CD single LILCD 9 (Int. 875 511-2) Fontana/Phonogram, UK United Kingdom 10:42 4